Art & Aesthetics

Art & Aesthetics

'Sculpture Instructions,' by Terry Bell, ©2015 bellman27.vsco.co/grid/1
  • The Spirit Bear1180
    Back in October last year we held a Wild Culture Jamboree. We made a call out for creative responses to the question "What does wild culture mean to you?". Whether illustrations, videos, photographs or written pieces, we received some wonderful submissions and we'd like to thank everyone who took part. From Feral Theatre's brilliantly histrionic "Funeral For Lost Speices", to a hauntingly atmospheric "Hunt for the Scottish Monster", we enjoyed all of the entries in their glorious diversity.
  • Bonsai cover
    Inspecting their curves and cracks, not permitted even the touch of another life form.
  • exotic cover
        
  • Crop Cover
    Crop circles often reference sacred geometry, which contains the measure of man, of nature and of the universe, expressed in harmonic proportions.
  • Maskswebtop
    Before disguising or modifying the face became de rigeur for big name personalities, artists were finding alternative ways of wrapping their heads around the world, or the world around their heads. These masks, designed to siphon nature into the face, expand the face to envelop nature, or simply dissolve it completely, throw holistic ideas of ‘the self’ into disarray.Marcus Coates
  • BECKETT cover
    Alys Moody takes a break from her PhD to spend even more time with Samuel Beckett.
  • Goyawebnarrow
    “The sleep of reason begets monsters” depicts the artist with his head resting on a table, his drawing tools scattered around him, while owls, bats and goblins swarm up ahead.
  • Rosalind cover
    Tom Jeffreys talks to contemporary artist Rosalind Davis about social housing, the 2011 riots and painting London's architecture.
  • Stadiumsnarrow
    He connects the stadium directly to the concentration camp and sees the “athletes” for what they are: desperate, half-starved creatures staggering around the track in striped prison garb.
  • Ants cover test 2
    "Machines can provide a perfect metaphor for the way we operate", according to designer and artist Ollie Palmer.
  • The Heist [2]_Tessa Farmer HP
    LONDON: The big question when bringing art outside the gallery is what to do with the signposts. Tom Jeffreys reads the signs at two very different patches of London greenery.
  • Wellcome Death test
    LONDON: Two simultaneous exhibitions examine our attitude towards death. Tom Jeffreys compares them.

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