The Journal of Wild Culture
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'Eight Miles High' staked out some thrilling and mind-expanding territory. What the song means to us . . . by Herbert Wright.
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A half-century survey of precious nuggets of language we use and don't always know it: weighted words and phrases that tell a story of positive change. By Chellis Glendinning.
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In digitally-processed paintings an architect/artist renders a new vision of biomorphic urban worlds.
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A noted historian of intellectual life in culture and politics in the US traces trends from 1980s to 9/11. Review essay by James Cullingham.
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Volatility at the edge . . . closer attention at the centre. By Fred Fiske.
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What makes the flamingo, rhinoceros and whale vivid in our imaginations? Poems by Amy Brunvand.
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When it comes to erotic photography, one artist makes it easy to divide the men from the boys. An appreciation by Cylla von Tiedemann.
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What is required to be in a revolution in South America, day to day? An interview with Jorge Bayro by Chellis Glendinning.
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For fans of industrial archaeology, nothing could be better. To make the great old mega-buildings into useful public spaces that inspire. By Whitney Smith.
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Justin Trudeau's secret sauce of Canadian political success. By James Cullingham.
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What are all those backpackers looking for? By Chris Cristou.
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Two artists who are partners in work and life tell the story of one partner's final approach to passing. By NOK&T.
Pages
FoReflections on populism and pushback — and the Jeffersonian politics of Donald Trump. By Kirkpatrick Sale, with an introduction by Chellis Glendinning.
